One man sits in the street
and hooks his eyes on those who pass,
then whistles at them in the tongues
of not-quite-familiar birds.

Another wears black leather and a ten-gallon hat,
and shouts about the coming of the Lord
into the nightshade box hidden in his hand.
The smiling woman buying quiche and apples,

who’s kept herself in trim for Mr Right,
will go to bed tonight and slit her throat.
And I write poetry, and poetry
walks along the edge of all such things

and sometimes the temptation’s there
to step quickly over the line
into the path of what comes roaring out of the dark.
But for now I’ll start another poem,

shut behind my crimson door,
while up the street the man has found
a strange new bird of paradise,
and the Lord has come just a little closer

and a small black choir sings in the woman’s mouth,
like the sound of distant shorelines
endlessly reshaping
in the rage where land encounters the sea.

My grandfather on my mother’s side
was a great fisherman.
Though I didn’t share his passion,
I would go and sit beside him by the river,
my float drifting, hook unbaited,
catching nothing, reading Homer,
while he seemed to swirl beside me: a djinn
inside a flashing silver weave
of fin and ruby blood, in love
with every living moment of the day.

I was far away when he died
and missed the funeral, but later, by his grave,
I watched my grandmother
stand alone against a darkening sky,
and knew that unseen down below
he was part of the curving world
that supported her as she stood there,
and also when she walked away.

Six months later, I saw him once:
a fish from the neck down,
lazily swimming between the reeds,
wrapped up in his own thoughts.
He didn’t see me
and I was able to watch him feeding on insects
for several precious minutes.
Then, with a dull gold flick of his tail
and a smile on his face,
he went from my life forever.