I saw a wonderous creature lay
a pebble on a sounding shore —
his voice flung wild in pain and joy,
as from his flesh the stone slipped free,
the mucus streaked with crimson threads,
he quickly bent and wiped away.

I saw the glitters flood his eyes,
as he stood and gazed upon the sea;
he turned his shining face on me,
then all my sorrows swam to him
and he ate them with his beard-hung teeth.

Then gathering up his staff and line,
so cautious of his ruined feet,
he crept among the rocks and shells,
while feathered bones twitched on his spine.

My heart cried out to go to him,
yet I turned and fled back up the shore,
in terror of this ancient one,
who potent as the timeless waves
and riven by such pain and grief,
still sacrificed his life and days,
to lay the pebbles by the sea.

The air is cooler now, the summer gone,
the old estate begins to store its shadows
and the pond is quiet among the trees.

Do curve and swoop remain
when the swifts have flown?

The arcs of cardiograph and church’s door
are in the meteor’s final flare,
yet the eye looks back across the dusk

and far beyond: the trajectory’s
still there, reaching back to the moment
the pebble’s wandering began.

The walls of the old house have vanished now,
but the rooms, which were the spaces in between,
remain, floating high above me in the evening air.

I think of those who lived their lives up there,
their griefs and fireside laughter, arguments and loves:
now a sunset in the distance and a scented breeze.

I feel their presence in the autumn woods,
the way the fallen drops are there
in the stillness of a fountain pool.

And as I wonder how they yet persist,
I feel cool fingers brush my face,
their flesh the stuff of curve and swoop.