that in Sicily in World War Two,
in the courtyard behind the aquarium,
where the bougainvillea grows so well,
the only captive mermaid in the world
was butchered on the dry and dusty ground
by a doctor, a fishmonger, and certain others.
She, it, had never learned to speak
because she was simple, or so they’d said,
but the priest who held one of her hands
while her throat was cut,
said she was only a fish, and fish can’t speak.
But she screamed like a woman in terrible fear.
And when they took a ripe golden roe
from her side, the doctor said
this was proof she was just a fish
and anyway an egg is not a child,
but refused when some was offered to him.
Then they put her head and her hands
in a box for burial
and someone tried to take her wedding ring,
but the others stopped him,
and the ring stayed put.
The rest they cooked and fed to the troops.
They said a large fish had been found on the beach.
Starvation forgives men many things,
my uncle, the aquarium keeper, said,
but couldn’t look me in the eye,
for which I thank God.
- A Plate of Holes
- Amber
- An Old Woman Weeds a Grave
- Auntie
- Bees
- Birds of Paradise
- Bon Voyage
- Cairo
- Curve and Swoop
- Duskfall
- Fiddler'
- First Love
- Ghostwood
- Giuseppe
- Grandpa'
- Jessica
- Lay my Corpse
- Milf
- Miss Johnson
- On Hearing that the Bees are Dying Out
- Room of Red
- Rosa
- The 16A
- The Body
- The Carpenter’s House
- The Child
- The Creature by the Sea
- The Dinner Guest
- The Fish
- The Ghisi Miniatures
- The Gorgon’s Palace
- The Iron House
- The Nails
- The Old Mirror
- The Old Train
- The Other Side
- The Piano Tuner
- The Shadow Garden
- The Spinner
- The Thorn Tree
- The Uncles
5 – 8 October 2025 • Project Arts Centre, Dublin
In a city washed clean by catastrophe, four survivors circle each other in a strange new world of bewilderment, desire, and suspicion.
Love at the End of Time is a darkly absurd, mythic fantasy. Intimate, unsettling, and shot through with flashes of humour.
Written by award-winning poet and playwright Roderick Ford, whose work often draws on gothic and outsider perspectives, this play rewrites the boundaries between human and other, memory and enchantment, grief and renewal.
What might love mean when the old world has ended?
Directed by Aoife Spillane-Hinks, with set & costume design by Alyson Cummins, lighting design by Stephen Dodd and sound design by Carl Kennedy, the production places raw human connection at the centre of a world on the edge of the uncanny.
Accessible Performances Available:
ISL Interpreted Performance: Friday 7 Nov, 7.45pm
a pebble on a sounding shore —
his voice flung wild in pain and joy,
as from his flesh the stone slipped free,
the mucus streaked with crimson threads,
he quickly bent and wiped away.
I saw the glitters flood his eyes,
as he stood and gazed upon the sea;
he turned his shining face on me,
then all my sorrows swam to him
and he ate them with his beard-hung teeth.
Then gathering up his staff and line,
so cautious of his ruined feet,
he crept among the rocks and shells,
while feathered bones twitched on his spine.
My heart cried out to go to him,
yet I turned and fled back up the shore,
in terror of this ancient one,
who potent as the timeless waves
and riven by such pain and grief,
still sacrificed his life and days,
to lay the pebbles by the sea.
- A Plate of Holes
- Amber
- An Old Woman Weeds a Grave
- Auntie
- Bees
- Birds of Paradise
- Bon Voyage
- Cairo
- Curve and Swoop
- Duskfall
- Fiddler'
- First Love
- Ghostwood
- Giuseppe
- Grandpa'
- Jessica
- Lay my Corpse
- Milf
- Miss Johnson
- On Hearing that the Bees are Dying Out
- Room of Red
- Rosa
- The 16A
- The Body
- The Carpenter’s House
- The Child
- The Creature by the Sea
- The Dinner Guest
- The Fish
- The Ghisi Miniatures
- The Gorgon’s Palace
- The Iron House
- The Nails
- The Old Mirror
- The Old Train
- The Other Side
- The Piano Tuner
- The Shadow Garden
- The Spinner
- The Thorn Tree
- The Uncles